Vintage Chinese Calligraphy Set – “Four Treasures of the Study” Boxed Kit (c.1970s-80s)
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This vintage boxed calligraphy set contains the traditional "Four Treasures of the Study" — an ink stone, a gilt dragon ink stick, two calligraphy brushes, a porcelain water dish, and a miniature spoon — all housed in a decorative brocade presentation box. Made in China during the late 20th century, likely under the Company of Chinese Artcrafts, this beautifully curated set celebrates traditional Chinese scholarly culture and artistry. Ideal for collectors of Asian antiques, calligraphy enthusiasts, or as an educational or decorative piece.
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This is a Chinese “Four Treasures of the Study” calligraphy set, a traditional scholar’s writing kit. These sets are symbolic of Chinese literati culture and often gifted as souvenirs, educational tools, or collector’s items. Here’s a breakdown of what you have:
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Contents of the Set
1. Ink Stone (砚 / yàn): Used for grinding solid ink with water to make liquid ink.
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2. Ink Stick (墨 / mò): Typically made of soot and animal glue. This one is particularly decorative, featuring gilt dragons — a common symbol of imperial strength and wisdom.
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3. Calligraphy Brushes (笔 / bǐ): These two brushes are bamboo-handled, a traditional style.
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4. Brush Rest or Spoon: The small spoon-like item may be a miniature water ladle or simply decorative.
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5. Porcelain Water Dish: This is used for holding a small amount of water for ink mixing. It bears a blue underglaze mark on the base (likely a stylized workshop or poetic name rather than a major kiln mark).
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6. Presentation Box: Brocade fabric over card with a clasp — typical of mid-to-late 20th century gift sets. The label reads "文房四宝" (Four Treasures of the Study).
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Cultural Background
The “Four Treasures” (文房四宝 / wenfang sibao) date back to the Tang dynasty and are the essential tools for scholars and poets.
These items are tied deeply to the Confucian scholarly tradition.
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The note inside the lid mentions production under the Company of Chinese Artcrafts, which places it likely in the 1970s–1980s, around the time China began promoting its cultural exports post-Cultural Revolution.
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Given the packaging style, materials, and English/Chinese bilingual leaflet, this is most likely a late 20th-century (c. 1970s–1980s) tourist or giftware item made in China for export or educational use.